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Wife and I have been watching the old NYPD BLUE episodes. Really like the situations they dream up. Very realistic.
Wife and I have been watching the old NYPD BLUE episodes. Really like the situations they dream up. Very realistic.
No mention of Swamp People?!?!?! Are you kidding?
I'm an NYPD Blue and David Milch obsessive. I think it was the TNT network that used to run 2-3 episodes every afternoon. I'd tape them (that's right, when VHS was the saving system) and watch them at night or have them running all weekend long. One of those series that I've probably seen close to 10 times in its entirety. The tenth time was just as great as when they were first airing. You can find many of the actors in other David Milch creations (Deadwood, Luck). It was said that the reason NYPD Blue ran through so many actors was because Milch, who was a heroin addict and alcoholic at the time, wouldn't have any dialogue written when the actors would come into shoot that day, so he would scribble down words on a napkin or whatever, and the actors would have to learn their lines on the spot in a rough shot manner. Nevertheless, the quality was tip-top, and that created even more stress on everyone because of the high expectations everyone had, from Milch himself to the directors to the actors themselves to the network heads. It was a bona fide pressure cooker, and after a couple seasons, the actors couldn't handle it anymore and would want out. Also a truly cutting edge series of fine art. I still quote some of the lines from NYPD Blue to this day. One of my all-time favorites.Wife and I have been watching the old NYPD BLUE episodes. Really like the situations they dream up. Very realistic.
I'm an NYPD Blue and David Milch obsessive. I think it was the TNT network that used to run 2-3 episodes every afternoon. I'd tape them (that's right, when VHS was the saving system) and watch them at night or have them running all weekend long. One of those series that I've probably seen close to 10 times in its entirety. The tenth time was just as great as when they were first airing. You can find many of the actors in other David Milch creations (Deadwood, Luck). It was said that the reason NYPD Blue ran through so many actors was because Milch, who was a heroin addict and alcoholic at the time, wouldn't have any dialogue written when the actors would come into shoot that day, so he would scribble down words on a napkin or whatever, and the actors would have to learn their lines on the spot in a rough shot manner. Nevertheless, the quality was tip-top, and that created even more stress on everyone because of the high expectations everyone had, from Milch himself to the directors to the actors themselves to the network heads. It was a bona fide pressure cooker, and after a couple seasons, the actors couldn't handle it anymore and would want out. Also a truly cutting edge series of fine art. I still quote some of the lines from NYPD Blue to this day. One of my all-time favorites.
Sipowicz was the first character in a drama, that I remember, who had such a huge character development arc. The Sipowicz in season 1 was not the Sipowicz in season 12. Like in real life. People (hopefully) change for the better as they gain wisdom and experience, and he did. His sit-down in the rib joint with Lieutenant Fancy is a scene for the TV history books. Or his relationship with John the PAA...* So many social issues worked through in thoughtful ways.Interesting. Dennis Franz' character (Andy Sipowicz) is, to me, the standout performance of this series. Classic, take no BS sort of cop. As it should be.
Cheers,
RR
Zeno, no worries. I like NYPD BLUE and Hill Street Blues. Two of my fav cop shows. And, yes, Sipowicz did change character, but always stayed true to character in dealing with the bad guys.
Swamp People is made up of alligator hunters in Louisiana out in their boats filling their tags. It's a reality show.The Creature from the Black Lagoon!
Those shows, like many NBC shows, have the most grating, constant soundtracks. I'm an experimental music fan (ambient, drone, etc), and even I get driven nuts. Endless mood-manipulating sound. Eerie, dramatic synthesizers always present. Maybe they've done studies on that being mesmerizing and addictive, like they have with color studies and lighting? Seriously, I'm a sound nut. I can't believe how much it bothers me.My wife is hung up on watching the Chicago trio; Chicago Med, Chicago Fire, and Chicago P.D. I'm so tired of watching them so I do other stuff but they are good shows.
At times, I watch a lot of shows on FX. AMC falls under this comment as well. Networks that love to have programs that are 67m, 75m, etc. Lengths that are beyond one hour, but in actuality, you get about 2-4 minutes more of content with the rest being commercials. An example was the recent airing of the new season of Better Call Saul. The first airing was two episodes playing for nearly 2.5 hours. Subsequent airings were just a tad over 2 hours. They didn't remove any content, but with that first airing, you got around 20+ minutes of extra commercials to make up that additional .5 hours of air time. It doesn't bug me too much because I DVR everything and fast-forward through their game playing.Then CBS and their commercials drive me nuts. I'll turn on the TV in the bedroom while I make the bed and commercials will be on. I finish making the bed and it has been nothing but commercials the whole time. On Face the Nation they'll go to commercial break at 10 or 11 minutes before the hour and keep showing commercials until the top of the hour. Along with all of the other commercials I estimate at least 20 minutes of the hour long show is commercials.
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