Late to the sacrifice, as usual, but by the Black Goat of the Wood with a Thousand Young, that's a killer tattoo, Anthony!
As with Clark Ashton Smith and Robert E. Howard, the other two main progenitors of modern weird fiction and buddies of HPL, I absolutely adore Lovecraft despite his many manifest warts. He truly was one of a kind, and his legacy speaks for itself--a friend just attended the annual Lovecraft Film Fest in Portland, and she reported it as being a real blast. Hope to make it out there myself, one of these strange aeons...
And hey, if you chaps like Lovecraft but haven't given Smith or Howard a shot, you might dig'em--of the three, Smith was the only one with a sense of humor, pitch black though it is, and his stuff is woefully under-read these days, whereas Howard, despite being the weakest writer of the three, at least has the enduring legacy of Conan the Barbarian to warm his hoary shade. Both are at their best when they're doing more fantastical pieces ala Lovecraft's Dreamlands cycle, but also wrote, or attempted, contemporary horror. They really helped create and define Lovecraft's Mythos--we often think of an artist being solely responsible for their creations, but even if the stories they wrote weren't proof enough, the letters the three writers exchanged make it very clear that they had a symbiotic relationship, feeding off of folklore and earlier authors, such as Arthur Machen, Algernon Blackwood, Poe, the Gothics, etc, in order to jointly create the Mythos people often wholly credit to Lovecraft. Best of all, as with HPL all their stuff is public domain, so you're spoiled for choice when it comes to finding affordable or free editions of their work.
Ia! Ia!