I used that same Stanton for years. It's what my dad used, and cartridges are maybe the most difficult to buy because you cannot listen to them. You almost always have to go off word of mouth and written reviews. It sucks. Then I went to The Needle Doctor in Minneapolis and was able to listening test several cartridges (still wasn't an ideal situation). I was surprised how harsh Stanton was compared to some of the others. They certainly weren't the worst, but after listening to several, I didn't buy another Stanton. I went with the Ortofon I have listed above. I need to replace the cartridge soon, and I'm dreading it. I want to upgrade, but without hearing them side by side, it's like roulette.Carlos":cxh13dx9 said:Speaking of cartridges and needles. I prefer the warm sound of the Stanton 681 series. I also acquired and stashed several of what was probably the very last stereohedron styli available for the 681E. These were a KAB sourced Pickering D-11-S.
Holy Mother of God man, that looks like an alien space craft, 3 tone arms?hobie1dog":974d6zj4 said:I recently finally bought one of my favorite turntables, a Micro Seiki DX-1000. This is a picture of the model I bought, not mine as I don't have mine set-up yet. I have the Micro Seiki M-707 arm and a new Sumiko Blackbird cartridge for it.
Why replace the cartridge? Just get a new stylus if you can. My Stanton is ancient, but that just means it's broke in. That's the hard part. Deciding on a cartridge when all you can listen to are not yet broke in. And the table, and tonearm. Well, you know. I have a near new Audio Technica, a Dual 704 much newer than the Dual 1019. But I use the 1019 all the time because it has "the sound."Zeno Marx":sahthsjq said:I used that same Stanton for years. It's what my dad used, and cartridges are maybe the most difficult to buy because you cannot listen to them. You almost always have to go off word of mouth and written reviews. It sucks. Then I went to The Needle Doctor in Minneapolis and was able to listening test several cartridges (still wasn't an ideal situation). I was surprised how harsh Stanton was compared to some of the others. They certainly weren't the worst, but after listening to several, I didn't buy another Stanton. I went with the Ortofon I have listed above. I need to replace the cartridge soon, and I'm dreading it. I want to upgrade, but without hearing them side by side, it's like roulette.Carlos":sahthsjq said:Speaking of cartridges and needles. I prefer the warm sound of the Stanton 681 series. I also acquired and stashed several of what was probably the very last stereohedron styli available for the 681E. These were a KAB sourced Pickering D-11-S.
You don't replace the stylus on a moving coil. The cantilever is connected to the apparatus and cannot be removed like it can with MM. They're a different animal than a moving magnet, which is what the Stanton is. If I was to replace an Ortofon with another Ortofon, Ortofon would give me a credit for the old cartridge. I'm happy with my Ortofon, but I'm also feeling adventurous. Having learned what a HUGE difference was between Stanton and Ortofon sound, I'm very curious to hear what others have to offer.Carlos":l6maomfr said:Why replace the cartridge? Just get a new stylus if you can. My Stanton is ancient, but that just means it's broke in. That's the hard part. Deciding on a cartridge when all you can listen to are not yet broke in. And the table, and tonearm. Well, you know. I have a near new Audio Technica, a Dual 704 much newer than the Dual 1019. But I use the 1019 all the time because it has "the sound."Zeno Marx":l6maomfr said:I used that same Stanton for years. It's what my dad used, and cartridges are maybe the most difficult to buy because you cannot listen to them. You almost always have to go off word of mouth and written reviews. It sucks. Then I went to The Needle Doctor in Minneapolis and was able to listening test several cartridges (still wasn't an ideal situation). I was surprised how harsh Stanton was compared to some of the others. They certainly weren't the worst, but after listening to several, I didn't buy another Stanton. I went with the Ortofon I have listed above. I need to replace the cartridge soon, and I'm dreading it. I want to upgrade, but without hearing them side by side, it's like roulette.Carlos":l6maomfr said:Speaking of cartridges and needles. I prefer the warm sound of the Stanton 681 series. I also acquired and stashed several of what was probably the very last stereohedron styli available for the 681E. These were a KAB sourced Pickering D-11-S.
It is a direct drive model. Up to 3 tonearms can be mounted so that you can mount 3 different cartridges on them. Cartridges can have very big differences in sound, so you can tailor different sounding carts to different sounding recordings. The DX-1000 were made years ago and here is a link with the basic information on them:Cartaphilus":zulvl5zc said:Holy Mother of God man, that looks like an alien space craft, 3 tone arms?hobie1dog":zulvl5zc said:I recently finally bought one of my favorite turntables, a Micro Seiki DX-1000. This is a picture of the model I bought, not mine as I don't have mine set-up yet. I have the Micro Seiki M-707 arm and a new Sumiko Blackbird cartridge for it.
It's been a long time since I bought a turntable so I obviously live in the stone age still.
What can you tell me about this? Why 3 different tones arms? What makes it better then most? I seriously would like to know more even though I'm afraid to ask what these go for.
Is this direct drive or belt? Please educate me.
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