OK - so the Rosslare B5 came in today. WHAT a STUNNER!
The stem: I've only just had the chance for a quick inspection...but every positive comment written here by Rosslare fans re: the stem is totally false. They don't do it justice. It's easily far more excellent than I imagined. There are many things I like about the B5 stem...the taper to the slim button, the way it flows into a cool looking triangle shape from the top of the diamond toward the button. The transparency is great, the 'swirl' within the acrylic is also just right.
The tennon: The pipe arrived with the stem inserted into the shank. It was tight when I tried to remove it. But it eventually came free with only moderate effort and a properly executed deft twist. They're sitting seperated now - adjusting to the local temperature and humidity. I hate it when a pipe is shipped 'assembled'.
The wood: It's really, really nice...a light blondish brown, almost a match with the Kinsale XL15 I just got in. The finish is excellent, better than either the Harp or the Kinsale. But again, if I were to set out a half dozen of each pipe I think that the fit, finish, etc. would even out...at least between the Kinsale and the Rosslare...given their visually appealing briar treatment. But the Harp, with the Cumberland acrylic stem in which the brindle swirl matches the color of the stain, has a special appeal of it's own. I shouldn't consider it lesser just because it's different.
So at last, the three Musketeers have joined together under one roof...and it's MINE! Bwwaaaahhaaaahhhaaaaahhhhhhaaaaaaaa!
The hand carved 3-pipe Peterson stand: Ahem. Well, so as not to end this fabulous party of Peterson perfection. I'll divulge that I'm about half way through the making of a three space pipe stand (so fine, call it a throne) on which these will rest between blazes of glory. Construction involves some really excellent Honduran Rosewood, a fairly sighificant section of Whitetail antler, some small pieces of Gabon Ebony and either Nickle Silver or perhaps Stainless Steel or majorly heavy Brass sheet stock. Not quite sure of the 'artistic direction' of a couple of aspects as yet...but the three 'holes' into which the bases of the three pipes have been carved. I can't convey how well the Rosewood finishes up once it's properly sanded, buffed and waxed...it's really georgous. And, like it or not, it has a large flow of blond heartwood through the front (which is why I chose to use it) which has been 'wormed' at one point. Of course, it's been kiln dried, so those little buggers are long gone. But in several places, the wormwood is visible...and has a sort of antique appeal. So I'll be finishing up over the next week to so and of course there will be the obligatory picutures eventually.